PERFORMATIVE LECTURE: DAWIT L. PETROS AND IRENE CAMPOLMI

photo of a hand holding a photo
Photo: Dawit L. Petros, Untitled (Overlapping and intertwined territories that fall from view I), 2019. Archival color pigment prints. Courtesy the artist.



About the Artist & Curator

Born in Eritrea, Canadian artist Dawit L. Petros explores relationships between African histories and European modernism, investigating artistic, geographical and cultural boundaries using photography and installations. Petros takes a variety of formal approaches ranging from documentary observation to carefully staged constructions. At The Power Plant, Petros will present a new body of work investigating the vestiges of Italian colonialism in architecture and infrastructure in the Horn of Africa and North America. The project reflects on Italian migration to North America in the period between the two World Wars (during which around 40,000 Italians came to Canada alone) in relation to contemporary stories of migration, engaging a critical reading of African modernist histories of mobility and European colonialism. Irene Campolmi is an Italian independent curator based in Copenhagen, Denmark.

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